English Character Identification
Identify
| created: | 6 months ago by Autiger1291 | tags: | english character identification |
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Lennox and Ross |
Scottish Noblemen from Macbeth |
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Donalbain |
Duncan’s son and Malcolm’s younger brother |
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Porter |
The drunken doorman of Macbeth’s castle |
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Fleance |
Banquo’s son, who survives Macbeth’s attempt to murder him. At the end of the play, his whereabouts are unknown. Presumably, he may come to rule Scotland, fulfilling the witches’ prophecy that Banquo’s sons will sit on the Scottish throne |
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Hecate |
The goddess of witchcraft, who helps the three witches work their mischief on Macbeth |
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Malcom |
The son of Duncan, whose restoration to the throne signals Scotland’s return to order following Macbeth’s reign of terror |
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Macduff |
A Scottish nobleman hostile to Macbeth’s kingship from the start. He eventually becomes a leader of the crusade to unseat Macbeth |
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King Duncan |
The good king of Scotland whom Macbeth, in his ambition for the crown, murders. He is the model of a virtuous, benevolent, and farsighted ruler |
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Banquo |
The brave, noble general whose children, according to the witches’ prophecy, will inherit the Scottish throne. Like Macbeth, Banquo thinks ambitious thoughts, but he does not translate those thoughts into action |
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The Three Witches |
Three “black and midnight hags” who plot mischief against Macbeth using charms, spells, and prophecies |
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Lady Macbeth |
Macbeth’s wife, a deeply ambitious woman who lusts for power and position |
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Macbeth |
a Scottish general and the thane of Glamis who is led to wicked thoughts by the prophecies of the three witches, especially after their prophecy that he will be made thane of Cawdor comes true |
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Heathcliff |
An orphan brought to live at Wuthering Heights by Mr. Earnshaw, he falls into an intense, unbreakable love with Mr. Earnshaw’s daughter Catherine |
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Catherine |
The daughter of Mr. Earnshaw and his wife, she falls powerfully in love with Heathcliff, the orphan Mr. Earnshaw brings home from Liverpool |
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Edgar Linton |
Well-bred but rather spoiled as a boy, he grows into a tender, constant, but cowardly man. He is almost the ideal gentleman |
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Nelly Dean |
serves as the chief narrator of Wuthering Heights. A sensible, intelligent, and compassionate woman, she grew up essentially alongside Hindley and Catherine Earnshaw and is deeply involved in the story she tells |
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Lockwood |
he serves as an intermediary between Nelly and the reader. A somewhat vain and presumptuous gentleman, he deals very clumsily with the inhabitants of Wuthering Heights |
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Hareton Earnshaw |
The son of Hindley and Frances Earnshaw, he is Catherine’s nephew. After Hindley’s death, Heathcliff assumes custody of him |
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Linton Heathcliff |
Heathcliff’s son by Isabella. Weak, sniveling, demanding, and constantly ill, he is raised in London by his mother and does not meet his father until he is thirteen years old, when he goes to live with him after his mother’s death |
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Hindley Earnshaw |
Catherine’s brother, and Mr. Earnshaw’s son. He resents it when Heathcliff is brought to live at Wuthering Heights. After his father dies and he inherits the estate, he begins to abuse the young Heathcliff |
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Isabella Linton |
Edgar Linton’s sister, who falls in love with Heathcliff and marries him. She sees Heathcliff as a romantic figure, like a character in a novel. Ultimately, she ruins her life by falling in love with him |
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Joseph |
A long-winded, fanatically religious, elderly servant at Wuthering Heights |
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Zillah |
The housekeeper at Wuthering Heights during the latter stages of the narrative |
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Mr. Green |
Edgar Linton’s lawyer, who arrives too late to hear Edgar’s final instruction to change his will, which would have prevented Heathcliff from obtaining control over Thrushcross Grange |
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Kurtz's Intended |
Kurtz’s naive and long-suffering fiancée, whom Marlow goes to visit after Kurtz’s death. Her unshakable certainty about Kurtz’s love for her reinforces Marlow’s belief that women live in a dream world, well insulated from reality |
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Kurtz |
The chief of the Inner Station and the object of Marlow’s quest. He is a man of many talents—we learn, among other things, that he is a gifted musician and a fine painter—the chief of which are his charisma and his ability to lead men |
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Marlow |
The protagonist of Heart of Darkness. He is philosophical, independent-minded, and generally skeptical of those around him. He is also a master storyteller, eloquent and able to draw his listeners into his tale |
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Fresleven |
Marlow’s predecessor as captain of the steamer. He, by all accounts a good-tempered, nonviolent man, was killed in a dispute over some hens, apparently after striking a village chief |
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Sir Thomas More |
The protagonist of the play. His historical refusal to swear to Parliament’s Act of Supremacy is the play’s main subject, but Bolt intentionally does not depict him as the saint or martyr of legend |
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The Common Man |
He sporadically narrates the play, and he plays the roles of most of the lower-class characters |
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Richard Rich |
A low-level functionary whom More helped establish. He seeks to gain employment, but More denies him a high-ranking position and suggests that he become a teacher |
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Duke of Norfolk |
More’s close friend. He is ultimately asked by Cromwell, and even encouraged by More himself, to betray his friendship with More |
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Alice More |
More’s wife. A conflicted character, she spends most of the play questioning why her husband refuses to give in to the king’s wishes. Her attitude shifts from anger to confusion |
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Thomas Cromwell |
A crafty lawyer who is the primary agent plotting against More. Whereas Rich and the Common Man are driven to their immoral actions (conspiracy, execution, and so on) somewhat reluctantly at times, he is motivated more by an evil nature |
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Cardinal Wolsey |
The Lord Chancellor of England, who dies suddenly following his inability to obtain a dispensation from the pope that would annul King Henry’s marriage to Catherine of Aragon and permit him to marry Anne Boleyn |
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Chapuys |
The Spanish ambassador to England. He is loyal to his country and intent on assuring that the divorce between King Henry and Catherine, which would dishonor Catherine, does not go through |
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William Roper |
An overzealous young man who is a staunch Lutheran at the beginning of the play and later converts to Catholicism. |
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Margaret Roper |
More’s well-educated and inquisitive daughter.She shows that she understands her father perhaps better than anyone else in the play |
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King Henry VIII |
The king of England, who only briefly appears onstage but is a constant presence in the speech and the thoughts of the other characters. It is very important to him that others think of him as a moral person |
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Belcher |
He is a big Englishman who is held prisoner by Irish rebels. He is a polite, quiet fellow, who helps the old woman do her chores |
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Bonaparte |
He is the narrator of the tale. His relationship with his prisoners, Hawkins and Belcher, grows from captor-captive into actual friendship |
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Jeremiah Donavan |
He was the soldiers supervisor and remained aloof to the Englishmen. |
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Hawkins |
One of the Englishman held captive. He was a talker and a debater. |
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Noble |
The other Irish guard. He too befriends the prisoners and doesn't want to kill them. |
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Araby |
The amorous boy who devotes himself to his neighbor Mangan’s sister. Images and thoughts of the girl subsume the narrator’s days, but when he finally speaks to her it is brief and awkward |
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Gabriel Conroy |
The protagonist from “The Dead.” A university-educated teacher and writer, he struggles with simple social situations and conversations, and straightforward questions catch him off guard |





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